When the white stars talk together like sisters
And when the winter hills
Raise their grand semblance in the freezing night,
Somewhere one window
Bleeds like the brown eye of an open force.
White stars that stand above the eastern stable.
Look down and offer Him.
The dim adoring light of your belief.
Whose small Heart bleeds with infinite fire.
Shall not this Child
(when we shall hear the bells of His amazing voice)
conquer the winter of our hateful century?
And when His Lady Mother leans upon the crib,
Lo, with what rapiers
Those two loves fence and flame their brilliancy!
Here in this straw lie planned the fires
That will melt all our sufferings:
He is our Lamb, our Holocaust!
And one by one the shepherds, with their snowy feet,
Stamp and shake out their hats upon the stable dirt,
And one by one kneel down to look upon their Life.
-Thomas Merton, A Christmas Card
While you walk the water’s edge,
turning over concepts
I can’t envision, the honking buoy
serves notice that at any time
the wind may change,
the reef-bell clatters
its treble monotone, deaf as Cassandra
to any note but warning. The ocean,
cumbered by no business more urgent
than keeping open old accounts
that never balanced,
goes on shuffling its millenniums
of quartz, granite, and basalt.
toward the permutations of novelty--
driftwood and shipwreck, last night’s
beer cans, spilt oil, the coughed-up
residue of plastic—with random
impartiality, playing catch or tag
or touch-last like a terrier,
turning the same thing over and over,
over and over. For the ocean, nothing
is beneath consideration.
of so many mussels and periwinkles
have been abandoned here, it’s hopeless
to know which to salvage. Instead
I keep a lookout for beach glass—
amber of Budweiser, chrysoprase
of Almadén and Gallo, lapis
by way of (no getting around it,
I’m afraid) Phillips’
Milk of Magnesia, with now and then a rare
translucent turquoise or blurred amethyst
of no known origin.
goes on forever: they came from sand,
they go back to gravel,
along with the treasuries
of Murano, the buttressed
astonishments of Chartres,
which even now are readying
for being turned over and over as gravely
and gradually as an intellect
engaged in the hazardous
redefinition of structures
no one has yet looked at.
-Amy Clampitt, Beach Glass