My body's now a begging bowl
That's begging to get back
begging to get back
To my heart
To the rhythm of my soul
To the rhythm of my unconsciousness
To the rhythm that years 
To me released from control.

-U2, Moment of Surrender

Show me where it hurts, God said, and every cell in my body burst into tears before His tender eyes.

​-Rabia of Basra

Now is the time to meet You, God,
Where the night is wonderful,
Where the forest opens out under the moon
And the living things sing terribly
  that only the present is eternal.

-Thomas Merton

Each breath I drew let into me new terror, joy, overpowering sweetness. I was pierced through and through with the arrows of it. I was being unmade. I was no one.
​
-C.S. Lewis, ​Till We Have Faces

There in the ground His body lay, light of the world by darkness slain;
Then bursting forth in glorious day, up from the grave He rose again.
And as He stands in victory, sin's curse has lost its  grip on me. For I am His and He is mine, bought with the precious blood of Christ.

-Keith Getty & Stewart Townend, ​In Christ Alone

There in the ground His body lay, light of the world by darkness slain; 
Then bursting forth in Glorious Day, up from the grave He rose again.
And as He stands in victory, sin's curse has lost its grip on me.
For I am His and He is mine, bought with the precious blood of Christ.

-Keith Getty & Stuart Townend, In Christ Alone

​

​This is the difficult road of conversion, the conversion from loneliness into solitude. Instead of running away from our loneliness and trying to forget or sent it, we have to protect stand turn it into a fruitful solitude. To live a spiritual life we must first find the courage to enter into the desert of our loneliness and to change it by gentle and persistent efforts into a garden of solitude.

-Henri Nouwen, Seeds of Hope

When the white stars talk together like sisters
And when the winter hills
Raise their grand semblance in the freezing night,
Somewhere one window
Bleeds like the brown eye of an open force.

Hills, stars
White stars that stand above the eastern stable.


​Look down and offer Him.
The dim adoring light of your belief.
Whose small Heart bleeds with infinite fire.

Shall not this Child
(when we shall hear the bells of His amazing voice)
conquer the winter of our hateful century?

And when His Lady Mother leans upon the crib,
Lo, with what rapiers
Those two loves fence and flame their brilliancy!

Here in this straw lie planned the fires
That will melt all our sufferings:
He is our Lamb, our Holocaust!

And one by one the shepherds, with their snowy feet,
Stamp and shake out their hats upon the stable dirt,
And one by one kneel down to look upon their Life.

-Thomas Merton, A Christmas Card

Nothing is yet in its true form.

-C.S. Lewis

While you walk the water’s edge,
turning over concepts
I can’t envision, the honking buoy
serves notice that at any time
the wind may change,
the reef-bell clatters
its treble monotone, deaf as Cassandra
to any note but warning. The ocean,
cumbered by no business more urgent
than keeping open old accounts
that never balanced,
goes on shuffling its millenniums
of quartz, granite, and basalt.
                                   It behaves
toward the permutations of novelty--
driftwood and shipwreck, last night’s
beer cans, spilt oil, the coughed-up
residue of plastic—with random
impartiality, playing catch or tag 
or touch-last like a terrier,
turning the same thing over and over,
over and over. For the ocean, nothing
is beneath consideration. 
                                   The houses
of so many mussels and periwinkles
have been abandoned here, it’s hopeless
to know which to salvage. Instead
I keep a lookout for beach glass— 
amber of Budweiser, chrysoprase
of Almadén and Gallo, lapis
by way of (no getting around it, 
I’m afraid) Phillips’
Milk of Magnesia, with now and then a rare
translucent turquoise or blurred amethyst
of no known origin. 
                             The process
goes on forever: they came from sand,
they go back to gravel, 
along with the treasuries
of Murano, the buttressed
astonishments of Chartres,
which even now are readying
for being turned over and over as gravely
and gradually as an intellect
engaged in the hazardous
redefinition of structures
no one has yet looked at.

-Amy Clampitt, ​Beach Glass